We took a vacation last week to look at prehistoric paintings in the Dordogne. We visited Lascaux II, Rouffignac, Font de Gaume, Les Combarelles and Pech Merle This is our third trip and overall we have visited some 17 caves.
The carvings and paintings are incredible. There is simply no way that even a double spread page on a large art book can come close to the impression made by the 17 foot long Great Bull in Lascaux, or many of the other near-life size paintings.
But the paintings are even more astonishing when you consider that pre-historic man systematically decorated caves for nearly 20,000 years (from about 32,000 BP - before present - to 12,000 BP). There are some 355 known decorated caves in Europe and more are being found all the time. Further, many of the caves were extremely difficult to access, and pre-historic artists must have lain on their backs to draw images on a ceiling only 3 feet above them. Many of the images are organized and would have had to have been planned ahead of time, such as the 33 foot long symmetrical frieze of mammoths in Rouffignac: 2 mammoths facing each other, then 4 more, then a space than a final mammoth.
Lastly, computer analysis has determined that many of even the most major caves (Lascaux, Rouffignac) were done by one or two artists or a small number of artists working under the direction of a master artist (similar to the ateliers of Ruben or Titian). The amount of organization that went into the major caves was spectacular: in Lascaux, more than 200 lamps have been found, as well as remnants of the scaffolding that was necessary in order to reach a height necessary to do the paintings.
So for a period of almost 20,000 years, there was a stable culture of Cro Magnon man which put a high priority on decorating caves, and which reached an extremely high artistic level. Since everything else is speculation, all we can do is appreciate the artistry that went into the paintings.
